Board and Committees
Board of Trustees
The Board of Trustees provides strategic leadership and oversight for the DSA, guiding the organization’s mission, finances, and long-term direction. The board meets monthly throughout the academic year.
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The Board of Trustees provides strategic leadership and oversight for the DSA, guiding the organization’s mission, finances, and long-term direction. The board meets monthly throughout the academic year.
Committees are led by volunteers who help advance the organization’s mission through ongoing programs, initiatives, and strategic planning. Most committees meet monthly during the academic year, and DSA members are always welcome to get involved.
Click on a committee chair’s name to learn more about them.
Develops and reviews governance policies, supporting effective leadership and transparent organizational practices.
Oversees the organization’s financial health by developing sound financial policies, monitoring budgets, and promoting responsible stewardship of our resources.
Designs and organizes national events, including the biennial national conference and the Dalcroze Lab webinar series.
Supports the growth of Dalcroze educators by developing teacher-training standards, accreditation policies, and professional learning resources.
Promotes excellence in Dalcroze education by overseeing professional standards, mentoring future diplômés, and maintaining a strong relationship with the Institut Jaques-Dalcroze.
Preserves and shares the history of Dalcroze education by developing archives, supporting research, and making historical resources accessible to the community.
Promotes diversity, equity, inclusion, and accessibility by fostering inclusive practices, culturally responsive teaching, and equitable access to Dalcroze experiences.
Builds awareness of the DSA and Dalcroze education through strategic communications, storytelling, and marketing initiatives that engage diverse audiences and support outreach across the organization.
Develops and publishes print and digital resources that support Dalcroze education, highlight member contributions, and share ideas with the broader music education community.
Most DSA committees and task forces meet monthly during the academic year, and we welcome members who are interested in contributing their time and expertise.
Contact the committee chair for more information.
Subcommittees and task forces focus on specific projects and emerging priorities that support the work of Dalcroze USA.
Strengthens the member experience by developing strategies for welcoming, engaging, and retaining members throughout their DSA journey.
Reviews scholarship applications and recommends recipients for DSA scholarship programs, helping expand access to Dalcroze training and professional development.

Ruth Alperson (BA Music, Oberlin College; piano, Emil Danenburg; harpsichord, David Boe.) Eurhythmics classes with Inda Howland at Oberlin inspired Ruth to pursue studies in the discipline, the beginning of a lifelong journey. She studied at the Dalcroze School of Music, New York City, and the Dalcroze Teachers Training Course in London, England. Studies at the Institut Jaques-Dalcroze culminated in being awarded the diplôme supérieur. Ruth earned her PhD in arts and humanities at New York University. Ruth’s doctoral dissertation was titled “A Qualitative Study of Dalcroze Eurhythmics Classes for Adults.” She has held the following titles: Dean, the Hoff-Barthelson Music School in Scarsdale, NY, Director of Studies of the Dalcroze Teacher Training Program; faculty, the Dalcroze Program at the Diller-Quaile School of Music; member, Scientific Committee of the International Con ference of Dalcroze Studies (ICDS); DSA Board of Trustees, member of the governance committee. Ruth taught for many summers at the Dalcroze Institute at Longy, where she learned from brilliant Dalcroze teacher, friend, and mentor Lisa Parker.

Weronika Balewski is a flutist and Dalcroze educator who invites people to experience music as connection and expression. Her work explores listening, creativity, and learning through performing, teaching, and community-building.
A modern and Baroque flutist, Weronika is passionate about chamber music and deep ensemble listening. She performs with pianist Elizabeth Chladil as Marvento Duo and collaborates regularly with flutist Elke Jahns-Harms and the Multiverse Concert Series. A seasoned orchestral musician, she played ten seasons with the Brookline Symphony Orchestra, serving as 2016 Concerto Soloist, and has performed with ensembles including Great Bay Philharmonic, Harvard Baroque Orchestra, and the Boston Early Music Fringe Festival.
Weronika is a teaching artist for Integral Steps, faculty at Concord Conservatory of Music, and a private studio teacher in Waltham, MA. She teaches Dalcroze music & movement classes, flute, and piano to students ages 3 through 80+. She leads workshops, summer camps, and clinics nationwide, including programs in Colorado, Delaware, Massachusetts, Vermont, and Virginia.
A leader in artist-educator community building, Weronika is co-founder and co-host of the international Virtual Dalcroze Meet-Up. She holds degrees in Flute Performance from Carnegie Mellon University (2012) and the Longy School of Music (2014), as well the Certificate in Dalcroze Eurhythmics from Longy (2019). She has presented at the International Congress of the Institut Jaques-Dalcroze, the International Conference of Dalcroze Studies, and the Dalcroze Society of America National Conference.

Megan Bauer is a violin teacher and performer in Evanston, IL. She graduated from Oberlin Conservatory in 2004 with a degree in Violin Performance and founded her own violin program in 2006. Megan began training in the Dalcroze Method with Jeremy Dittus in 2015 and earned her Dalcroze Certificate from the Dalcroze School of the Rockies in 2020; she currently is working on completing her Dalcroze License.

William R. Bauer teaches at the College of Staten Island/CUNY, where he has served on the full-time music faculty since 2002.
Dalcroze credentials: diplôme supérieur, 2023 (Institut Jaques-Dalcroze, Geneva); Dalcroze License, 1990 (Manhattan Dalcroze Institute, New York); Dalcroze Certificate, 1983 (Manhattan Dalcroze Institute). Academic credentials: PhD in Composition, 1996 (CUNY Graduate Center, New York); MA in Composition, 1987 (Columbia University); BS in Music, 1981 (Empire State College, SUNY).
Employment: full-time faculty, College of Staten Island, CUNY, 2002–present (Music Program and Music Events Coordinator since 2024; American Studies Director, 2017–2024); full-time faculty, Rutgers University–Newark, 1994–2002.
Community service: president, Dalcroze Society of America, 2012–18; DSA executive director, 2018–19; Professional Development Committee, 2023–present; Council of Diplômés, 2023–present; other committees intermittently since 2019.
Numerous publications on Dalcroze Eurhythmics, most recently “Dalcroze Education in the United States: Building a Community of Practice,” in *Navigating Landscapes of Dalcroze Practice* (Boydell Press, 2025), pp. 129–43; and on jazz vocal performance practice, including the critically acclaimed book *Open the Door: The Life and Music of Betty Carter* (University of Michigan Press, 2002), as well as peer-reviewed book chapters and articles in scholarly journals.
Actively leads Dalcroze workshops for participants of all ages in a variety of contexts. Director of Windrows Warblers, a chorus of high-functioning seniors who perform concert versions of Broadway shows and other vocal literature. Currently offering “Speaking in Tones,” readings of international poetry in English translation enriched by responsive musical landscapes improvised at the keyboard. Recent programs have featured the work of Palestinian poets.


Terry Boyarsky is a concert pianist, chamber musician, Dalcroze Eurhythmics teacher, ethnomusicologist and frequent presenter at conferences. She is trained by the Kennedy Center in Arts Integration and is a Teaching Artist for the Ohio Arts Council. She teaches a course in Eastern European Folk Music for CWRU. She sings with Choral Arts Cleveland. Since 2007, Terry has been performing and teaching internationally as “Duo Balalaika” with Siberian balalaika virtuoso Oleg Kruglyakov.
terryboyarsky.blog
www.duo-balalaika.com

Nicole M. Brockmann earned her BFA from Carnegie Mellon University in viola performance and her MM, AD, and DMA from Yale University. She holds the Dalcroze certificate and license from the Marta Sanchez Dalcroze Training Center at CMU, where she is a core faculty member. She has been a faculty member at institutions including DePauw University and West Virginia University and has performed, taught, and offered masterclasses both nationally and internationally. Her Dalcroze work focuses on movement, solfège, and plastique animée, with particular emphasis on using eurhythmics in instrumental and vocal master classes to heighten musicianship and solve musical problems. She is a past president of the Dalcroze Society of America and is the author of From Sight to Sound: Improvisational Games for Classical Musicians (Indiana University Press, 2009).
Rachel Buchman has lived the life of a musician as a teacher, recording artist and performer for over 50 years in the U.S. and internationally. She was certified as a teacher of Dalcroze Eurhythmics by Lisa Parker and was a dedicated student of Anne Farber with whom she shared a love for the upper westside of Manhattan, jazz, and irony. Her Dalcroze education started in high school: she was a devoted student of Dr. Hilda M. Schuster at the Dalcroze School in Manhattan. Upon graduation, Dr. Schuster wrote Rachel a letter saying that she hoped she would become a Dalcroze teacher one day. Rachel is a visiting clinician at the Yale School of Music. Through the lens of Dalcroze principles, she is training graduate students to teach underserved children in the New Haven Public Schools through a Yale program called Music in the School Initiative (MISI). Since 2020 she has taught eurhythmics and singing in Title One schools with the non-profit Hope Stone, Inc. while mentoring Hope Stone’s young teaching artists. Since 2015, Rachel has taught eurhythmics and singing at the School for Young Children, a school for children with language related learning differences. Rachel teaches private piano lessons to children and adults. She rides and trains horses finding connections between her eurhythmic training and her equine experiences. She practices Iyengar Yoga and Zen meditation, fosters rescue animals, gardens, and loves being grandma to twin girls.

J. Timothy Caldwell, Professor Emeritus of Voice, Central Michigan University, has performed in operas, oratorios, operettas, and as a recitalist throughout the United States. In addition, he has employed Eurhythmics principles to improve performance for solo performers (singers, string players, and pianists), teachers, choruses, and orchestras in the United States and Canada. He has homes in New York and Michigan.

Katie Couch holds degrees in music performance and education from the University of Colorado Boulder. She earned the Dalcroze Professional Certificate and License from the Dalcroze School of the Rockies (now the Dalcroze School of Music and Movement). Katie is on the faculty of the Dalcroze School of Music and Movement, where she trains future Dalcroze teachers in improvisation, solfège, and pedagogy. Katie also volunteers for several committees of the Dalcroze Society of America, most notably serving as treasurer, chair of the publications committee, and managing editor of Dalcroze Connections.
Debora is the head of the piano department at Grand Rapids Community College in Grand Rapids Michigan where she teaches piano, class piano, music theory, aural comprehension, and composition. She has also held faculty positions at Manchester University and Iowa State University. An accomplished pianist she has appeared in recitals and concerts throughout the Midwest and in China. Recent performances include a duo-recital in Grand Rapids and solo recitals in Dali, China and Shanghai, China. Two of Debora’s compositions have been premiered at Carnegie Hall. Her works have also been performed internationally, with performances in the great cathedrals of Florence, Assisi, and Lucca, Italy, and in China.
Debora’s recent musical focus has been incorporating movement into her college level theory and aural skills courses. Through that interest she began studying the work of Émile Jaques-Dalcroze. It was in 2018 at a Michigan Music Teachers conference where she met Dr. Mary Dobrea-Grindahl who encouraged her to study the method more formally. Debora began attending summer sessions at the Dalcroze School of Music and Movement where she earned the Dalcroze Professional Certificate in 2024. She is currently working on her Dalcroze Licence at the DSM. Debora now uses Dalcrozian strategies and principles in all of her teaching, both classroom and private studio teaching. She is forever grateful to the amazing faculty at the DSM.
Debora earned the Ph.D. in music composition and the M.M. in Piano Performance from Michigan State University. Her B.A. in piano performance and theory-composition is from Calvin College.

Dr. Meagan Dissinger is a National Board Certified Teacher with fifteen years of experience teaching choir, classroom music, and dance to all grades PreK-12 in New York and the Virgin Islands of the US. Meg currently serves as Assistant Professor and Coordinator of Graduate Music and Music Education at Five Towns College. She also served as Adjunct Faculty in Choral Conducting and Music Education at Messiah University. She previously held appointments at the Crane School of Music at the State University of New York in Potsdam, Columbia University, and The University of the Virgin Islands. Meg holds a Bachelor’s Degree in Music Education with minors in Dance and Special Education from The Pennsylvania State University, Master’s Degree in Piano Performance from CUNY Hunter College, and a Master’s and Doctorate Degree in Music and Music Education from Teachers College, Columbia University.

Dr. Jeremy Dittus, Diplôme Supérieur, enjoys a career as a pianist, theorist, and Dalcrozian. He has performed and/or presented Dalcroze master classes throughout the United States, Europe, and Southeast Asia. He directs the Dalcroze School of Music & Movement (Dallas, Texas), teaches on the faculty at Hope College in Holland, Michigan, and serves on le Collège de l’Institut Jaques-Dalcroze. The Dalcroze School of Music & Movement (founded in 2010) offers courses for youth ages 4–18, adult enrichment, full-time study toward the Dalcroze Professional Certificate, Dalcroze License, and post-License study. Publications include several journal and book articles, seven volumes of teacher-training textbooks, Embodying Music Vol. I–IV and Moving Sound Vol. I–III, along with ten volumes of DSM youth curriculum: Eurhythmics I and II, Rhythmic-Solfège I–V, and Advanced Dalcroze I–III.

Mary Dobrea-Grindahl, diplôme supérieur, is professor emerita at Baldwin Wallace university, where she enjoyed a multifaceted teaching and performing career for over thirty years. As a clinician, her workshops focus on applications of the method to the private studio and using eurhythmics to develop artistry; she also enjoys opportunities to introduce newcomers to the Dalcroze practice. Mary is the coauthor of Developing Musicianship through Aural Skills: A Holistic Approach to Sight Singing and Ear Training (Routledge), which pioneers a unique pedagogical method of teaching ear training and musicianship. Mary is passionate about bringing experiences in the arts to untapped communities and is exploring ways to use eurhythmics to develop reading literacy in children. She is a recipient of the prestigious Strosacker Prize for Excellence in Teaching and the Distinguished Faculty Leadership Award at Baldwin Wallace University.


Lori holds a Dalcroze Professional Certificate from the Dalcroze School of the Rockies. She currently teaches after-school Dalcroze classes at Dalcroze Musical Arts. Lori has been a music teacher in both public and private schools and has also taught Dalcroze Eurhythmics at Interlochen Summer Arts Camp, Suzuki workshops, Suzuki summer institutes, public school workshops, local MTA workshops, and musicianship skills to dancers.
In addition to teaching, Lori is also involved with the non-profit organization Dalcroze Society of America as a former Trustee and Board Chair and is currently an officer of the Rocky Mountain chapter of the DSA. In her spare time Lori enjoys many activities like skiing, camping, and photography.
Maria Franzini holds an M.M. In Piano Pedagogy and Performance, as well as the Dalcroze License. She teaches General Music at Providence Montessori School in Lexington, KY, where she lives with her husband, two sons, and dog.
Dylan Griffith is a classically trained multi-instrumentalist, composer, performer, and music educator. She currently serves at Lane College as an assistant professor of music and collaborative pianist and is working towards her MM-DMA at the University of Memphis. In 2024, she began her formal journey with the Dalcroze method, a methodology that has helped both her and her students deepen their understanding of and find joyfulness in music. She currently studies under Dr. Jeremy Dittus at the Dalcroze School of Music and Movement pursuing her Level 2A towards professional Dalcroze Certification.
Voice and Piano Teacher, Singer, Organist, Choir Director
Mimi Hsu is a Dalcroze Eurhythmics Instructor living in New York City. A native of Tainan, Taiwan, she received her Bachelor of Arts degree in voice performance with a minor in piano at the Chinese Culture University in Taipei, followed by studies to Dalcroze certification at The New York Dalcroze School, and the License Program at The Longy School of Music in Cambridge, MA. Her Dalcroze studies were with Robert Abramson, Dr. Ruth Alperson, Anne Farber, Lisa Parker and Philip Burton. Her extensive teaching includes Avenues The World School NYC, CPSM Queens College, the Diller-Quaile School of Music, Greenwich House Music School, Hoff-Barthelson Music School and The School at Columbia University; Additionally she is quite active as clinician in merging Dalcroze education and Suzuki Method programs throughout United States. She is co-director of the Mind-Body Studies in Performing Arts Festival; She directs children’s opera incorporating Dalcroze principles of music, movement and theater. Her “Da Jia Hao” CD combines music and Mandarin language inspired by movement. She adapted the concept from her CD into Memories of Childhood cross cultural concert in Tainan Taiwan. Her adult Dalcroze workshops have been presented in Beijing Central Conservatory, Tainan University of Technology, The Dalcroze School of the Rockies Summer Dalcroze Academy, Music Education Workshops/Dalcroze Program at DePaul University, Chicago, New York Dalcroze Chapter, Dance Department at Marymount College, and Carnegie Hall “Link Up” & “Ensemble Connect” Education Programs.

Eiko Ishizuka, Diplôme Supérieur, is a Director of The Dalcroze Institute of New England, supported by the Tufts University Community Music Program. Ms. Ishizuka is a faculty member at New England Conservatory’s Preparatory School and Boston Youth Symphony Orchestra (BYSO), teaching Dalcroze Eurhythmics, and is the chair of the Dalcroze and Early Childhood department at Winchester Community Music School. She is also a faculty member at Longy School of Music of Bard College, and teaches piano to students of all ages and experience levels. She travels to give Dalcroze workshops for musicians and music teachers in Japan, Taiwan and Malaysia, as well as the Dalcroze National Conference (most recently in Cleveland), and the Dalcroze Congress in Geneva, Switzerland.
She is passionate about bringing music and movement to audiences. She has earned the Diplôme Supérieur, the highest credential in Dalcroze training, from the Institut Jaques-Dalcroze, Geneva, Switzerland. She also holds a Certificate and License, with distinction, from the Longy School of Music of Bard College, and a Bachelor in Music from Kunitachi College of Music. She is a Member of the Collège de I’institut Jaques-Dalcroze (Advisory Council of the Fondation de I’institut Jaques-Dalcroze).

Mari Izumi is a music educator based in Los Angeles whose expertise lies in piano pedagogy and Dalcroze Eurhythmics. She earned the Dalcroze Certificate and Dalcroze License under the direction of Dr. Hilda Schuster, at the Dalcroze School of Music in New York. She has presented numerous Dalcroze workshops at California State University, Dominguez Hills, the Music Teachers’ Association of California, and the Dalcroze Society of America. Her Dalcroze Eurhythmics classes have been featured in the Los Angeles Times. Mari has been teaching piano and Dalcroze Eurhythmics at the Colburn Community School of Performing Arts in Los Angeles since 1999. She has developed an extensive Dalcroze curriculum at Colburn for students at all levels. In addition to her work with children, Mari offers Dalcroze classes for music educators and has organized professional development workshops led by renowned guest artists.


Michael Joviala is a composer/improviser/performer and educator in New York City. In 2020, he earned the diplôme supérieur from the Institut Jaques-Dalcroze in Geneva and is the director of the Dalcroze Teacher Training Program at the Lucy Moses School in New York. He teaches Dalcroze eurhythmics to students of all ages at the Lucy Moses School of Music, the Diller-Quaile School of Music, the Dalcroze School of Music and Movement in Dallas, Texas, and in workshops worldwide. He is the creator and music director of the improvising music and dance ensemble, Locomotors. He has called Brooklyn, New York, home since 1992.

Originally from Chicago, Mira Larson started training in cello and dance at an early age. She continued her cello studies at Northwestern University with Hans Jensen (BM, summa cum laude) and the New England Conservatory with Natasha Brofsky (MM). Upon discovering Dalcroze Education, Mira immediately enrolled in the Professional Studies program at the Dalcroze School of the Rockies. She has participated in conventions held by the Dalcroze Society of America (Los Angeles) and the Institut Jaques-Dalcroze (Genève, Switzerland). Mira received her Dalcroze Professional Certificate in 2019 and is currently working towards her Dalcroze License. Her principal mentors are Jeremy Dittus and Laetitia Disseix-Berger.
As a cellist, Mira has performed solo recitals around the Chicago area, appeared with chamber ensembles in Jordan Hall (Boston), Orchestra Hall (Chicago), and Carnegie Hall’s Weill and Zankel Recital Halls, as well as collaborated in contemporary music performances across the country and around the world. Mira currently lives in Salt Lake City, where she teaches at the Gifted Music School, La Maison des Enfants, and her own Rythmique Music School.

Cynthia Lilley earned a Dalcroze certificate and license at the Longy School. She taught at the Diller-Quaile School of Music and at the Special Music School, a public school in Manhattan for musically gifted children. She continues to teach at the Dalcroze School at the Lucy Moses School. Cynthia has been a presenter at many Dalcroze workshops and national conferences, and she has taught summer courses in the Dalcroze approach for music teachers at the Longy School in Cambridge, MA; Southern Methodist University in Dallas, TX; the University of St. Thomas in St. Paul, MO; the University of Kentucky in Lexington, KY; and Hunter College in New York, NY. She is a past president of the New York Chapter of the Dalcroze Society of America where she now serves on the Professional Development Committee.

Cynthia Lilley earned a Dalcroze certificate and license at the Longy School. She taught at the Diller-Quaile School of Music and at the Special Music School, a public school in Manhattan for musically gifted children. She continues to teach at the Dalcroze School at the Lucy Moses School. Cynthia has been a presenter at many Dalcroze workshops and national conferences, and she has taught summer courses in the Dalcroze approach for music teachers at the Longy School in Cambridge, MA; Southern Methodist University in Dallas, TX; the University of St. Thomas in St. Paul, MO; the University of Kentucky in Lexington, KY; and Hunter College in New York, NY. She is a past president of the New York Chapter of the Dalcroze Society of America where she now serves on the Professional Development Committee.

Alex Marthaler is the executive director of the Dalcroze Society of America, where he oversees operations, conferences, publications, fundraising, and strategic initiatives that support the Dalcroze community nationwide. A pianist, composer, and educator based in Pittsburgh, PA, he serves on the faculty of Carnegie Mellon University, teaching orchestration, counterpoint, and contemporary composition techniques. Alex is an experienced collaborative pianist specializing in improvisation, dance accompaniment, and ensemble performance, with ongoing work for ballet, theater, and choral organizations. His compositions have been performed by contemporary music and dance ensembles throughout the region. His work centers on creativity, collaboration, embodied musicianship, and providing meaningful musical experiences for learners of all ages.


Fumi Nishikiori-Nakayama earned her Bachelor of Music in Piano and Harpsichord degree from the Chicago Musical College of Roosevelt University, and Master of Music in Piano and Early Music/Harpsichord from Indiana University, where she was the recipient of numerous awards including the prestigious Rudolph Ganz Memorial Award, and Willi Apel Scholarship. She has studied piano with Ludmila Lazar, Shigeo Neriki, harpsichord with David Schrader, Elisabeth Wright, fortepiano with Elizabeth Wright and Kenneth Drake, chamber music with Rostislav Dubinsky, early chamber music with Stanley Ritchie, and conducting with Thomas Baldner and Imre Pallo.
As a conductor, she has conducted Indiana University Symphony Orchestra, IU Ad-hoc Orchestra, IU Opera Workshops. Her love for vocal music and theater lead her to remain as one of the opera coaches for Indiana University Opera Theater for 6 years.
Currently Ms. Nishikiori is an adjunct faculty member of the Carthage Music Department and teaches for the Carthage Arts Academy. She has received the Dalcroze Certificate from Dr. Robert Abramson at Juilliard School Dalcroze Institute and received the Dalcroze License from Dr. Jeremy Dittus of the Dalcroze School of Music and Movement. She often gives demonstrations and lectures to music teachers and students in the Midwest. She frequently performs as a member of Trio Celeste, and also collaborates with greater Milwaukee and Chicago area artists.

Stephen Neely, PhD, Dalcroze License, Associate Professor of Music, Director of Graduate Studies, and Director of the Marta Sanchez Dalcroze Training Center at Carnegie Mellon School of Music, is a teacher, conductor, and writer who lectures in the fields of music, design, and pedagogy.
He teaches Dalcroze Eurhythmics and Dalcroze Pedagogy for Carnegie Mellon, having taught every BFA in Music Performance and Composition at the School of Music since 1999. He directed the Opera Workshop and taught Eurhythmics at Pittsburgh’s High School for the Creative and Performing Arts (23 years), served as Chorusmaster for Opera Theater of Pittsburgh (10 years), and was a featured speaker at TEDxCMU 2012.
In addition to his duties at CMU, Stephen is faculty for the Houston Grand Opera Butler Studio Emerging Artist Program, Co-Chair of the International Conference of Dalcroze Studies, co-founder and co-host of the Virtual Dalcroze Meet-up, special faculty for the Tepper School of Business Executive Education team, and an author. His recent book, Make it Music, is an invaluable resource for classroom teachers interested in including more movement activities in their practice.

Anetta Pasternak (PhD hab, MA in Eurhythmics) works as a professor at the Eurhythmics Specialty, Department of Composition, Conducting, Theory and Music Education at the Karol Szymanowski Academy of Music in Katowice, Poland. Her assignments involve also teaching at Dance Theater Actor Specialty. Anetta is a consultant to the Center for Arts Education in Poland, and member of La Fédération Internationale des Enseignants de Rythmique. She has many years of experience related to the application of Eurhythmics at the early childhood education stage in comprehensive and music schools. Anetta specializes in the interpretation of 20th and 21st century music (Plastique Animée), her artistic oeuvre includes 65 movement interpretations of music and 8 original theater performances presented at home and abroad. She is particularly interested in Dalcroze solfege, as well as the therapeutic aspect of Eurhythmics.

Dawn Pratson is an interdisciplinary artist—dancer, choreographer, musician—and educator, with a background in creative arts in therapy. She earned her Dalcroze license and certificate from the Longy School of Music of Bard College under Lisa Parker and Anne Farber. Dawn was on the faculty of the Longy Dalcroze programs from 1997 until 2015, and she was the founding music specialist at the Folk Arts-Cultural Treasures Charter School in Philadelphia. Currently, Dawn teaches for the Dalcroze School of Music and Movement, teaches and performs with Michael Joviala in the group “Locomotors,” and serves on the Dalcroze Society of America’s diversity, equity, and inclusion committee.

Clinton Pratt has BM and MM degrees in Piano Performance and owns a multi-teacher piano studio in Cincinnati Ohio, where he has been teaching for over 22 years. He began his Dalcroze training at Carnegie Mellon’s summer workshop in 2007 and has since attended numerous workshops and training centers. He is currently a Master Teaching Artist with the American Eurhythmics Society and is the President of the Greater Cincinnati Eurhythmics Society. He has given over 50 presentations at local, state, and national music teacher conferences on various topics including Eurhythmics, piano improvisation, composition, performance anxiety, piano pedagogy, and entrepreneurship. Clinton has served on several boards and committees for various music teacher organizations, and was awarded “Teacher of the Year” by the Ohio Music Teachers Association in 2023.

Gregory Ristow is director of vocal ensembles and instructor of Eurhythmics at the Oberlin Conservatory of Music. In the summers, he teaches for the Dalcroze Institute of New England and the Dalcroze School of Music and Movement’s Dalcroze Academy. He has given numerous workshops on Eurhythmics around the United States and abroad, and is featured in several of the most popular Eurhythmics videos on YouTube. He holds the Dalcroze Certificate from the Juilliard School (Robert Abramson), the Dalcroze License from the Longy School of Music (Anne Farber & Lisa Parker), and is working towards the Diplôme Supérieur at the Institut Jaques-Dalcroze. Additionally, his studies with Herb Henke, Marta Sanchez, Stephen Moore, Karin Greenhead, Ruth Alperson, and Louise Mathieu have all deeply impacted his teaching.
Emma Shubin, Dalcroze Eurhythmics • Suzuki Flute • Integrative Education
MM, BM, BA Ecology/Evolutionary Biology, Jazz Cert, Dalcroze License & Certificate
www.emmashubin.com • www.integralsteps.org • www.virtualdalcroze.org
Flutist, Dalcroze, and Suzuki educator Emma Shubin has been joyfully moving to and making music her whole life. Despite her parents’ best efforts to turn her into a violinist, she fell in love with the flute and never looked back. She is co-founder and Artistic Director of Integral Steps, a nonprofit dedicated to integrative, multimodal education, where she blends her love of music, movement, improvisation, and ecology to support building community and inspiring students of all ages.
A Wm. S. Haynes Flute Co. Artist and Assistant Principal Flute with the Steamboat Symphony Orchestra, Emma performs internationally and leads workshops, residencies, and masterclasses, sharing her joy for connection through music worldwide.
Currently a PhD candidate at the University of Luxembourg, she researches the integration of movement into instrumental learning. She is passionate about developing early childhood music curriculum, supporting educators through accessible platforms such as The Virtual Dalcroze Meet-Up, and supporting performers at all levels in creating embodied pathways toward artistry. She currently lives in Luxembourg with her husband, daughter, and their two silly pups, and can be found eating croissants and sampling coffee in cafés when she’s not researching, writing, or playing her flute.

Arthur Simoes is a Brazilian pianist, composer, and educator whose eclectic music blends jazz, classical, video game influences, and his Brazilian heritage. A prizewinner of the 29th European Music Competition “Città di Moncalieri,” he has performed widely across Europe, Latin America, and the United States, and regularly leads lectures, workshops, and master classes internationally. Passionate about music learning, he currently teaches Dalcroze eurhythmics at the New England Conservatory (Boston) and has served on the faculties of Haute École de Musique and the Institut Jaques-Dalcroze (Geneva) alongside guest teaching at major institutions and events worldwide. He also maintains a thriving piano studio in which his lessons integrate elements from Dalcroze eurhythmics and the Taubman Approach. Arthur holds a diploma with concentrations in jazz composition and performance from Berklee College of Music, a bachelor’s in piano and a master’s in music pedagogy from the Haute École de Musique de Genève, and a Diplôme Supérieur of the Dalcroze method.

John R. Stevenson (Jack) holds the Diplôme Supérieur and the Licence d’Enseignement Jaques-Dalcroze with the first prize in pedagogy from the Institut Jaques-Dalcroze in Geneva, Switzerland. He also holds a BM in piano from Duquesne University Conservatory of Music. Jack has taught full-time and certified Jaques-Dalcroze educators for over 50 years at institutions such as the Institute Jaques-Dalcroze in Geneva, Switzerland; Ithaca College School of Music; Laval University in Quebec; St. Laurence College in Montreal, among others. Jack continues to direct the Music Teacher-Training Program as the Outstanding Educator-in-Residence for the Ministry of Education, Singapore. He also trains teachers at the Institute for Jaques-Dalcroze Education in Bethlehem, Pa, offering the Certificate and License. Jack has authored three Volumes of the text Pursuing A Jaques-Dalcroze Education: Solfège, an interactive ebook available on iBooks. He is currently working on a new text on Plastique Animée.
Michelle Tagud-Jara is a music educator with over 11 years of teaching experience in PreK–12, including 7 years as a music subject coordinator in Manila, Philippines. Since 2025, she has taught general music in Reno, NV. She is dedicated to fostering musical literacy, creativity, and cultural awareness and is a member of the Dalcroze Society of America, the Organization of American Kodály Educators, and the Kodály Society of the Philippines.
Angela Thompson is a violinist and violin instructor with a bachelor’s degree in Violin Performance from the National Conservatory of Peru and extensive training in the Suzuki Method of music education. With 15+ years teaching experience, Angela is passionate about nurturing young musicians and fostering vibrant musical communities.

Dr. Treviño is a pianist and Dalcroze Eurhythmics (DE) practitioner and researcher. She is a professor and coordinator of Programas Dalcroze at the Universidad Panamericana in México City. Alongside she is a professor at the Facultad de Música of the Universidad Autónoma de Nuevo León (UANL) in Monterrey, and director of her independent studio “Música Viva”. As active promoter of DE throughout Latinamerica, Elda Nelly frequently serves as guest lecturer, and clinician in DE and piano pedagogy. Up to the present she serves as a member of the publications committee of the Dalcroze Society of America in the US, and as a representative of the FIER in México. In addition, she is active as a collaborative pianist. Dr. Treviño holds a Ph.D. in Psychology from the Universidad Autónoma de Nuevo León, Bachelor and Master of Music in Piano Pedagogy from the University of Texas at Austin, Dalcroze Certificate and License from Carnegie Mellon Univeristy.

Melissa Tucker is an inspiring and committed Dalcroze music educator. Dalcroze is at the heart of everything she does as a professional musician. She finds the unique combination of movement, improvisation, dynamic social interaction, and deep study of music to be ingenious and exhilarating. A Dalcroze faculty member at Longy School of Music of Bard College for over 30 years, she is also on the piano faculty of Concord Conservatory of Music and teaches for The Dalcroze Institute of New England. An Oberlin graduate, Melissa earned her Dalcroze Certificate and License from Longy with Lisa Parker and Anne Farber. She studied piano with Lydia Frumkin at Oberlin Conservatory and Natasha Chances at Bates College. Ms. Tucker is currently a Dalcroze Society of America Board Member who serves on the DEI Committee. She has also served as Co-Chair of Longy’s Dalcroze Department, as Secretary of the DSA, and on the DSA’s Professional Development Committee.


Ms. Marlene Yeni-Maitland extensive professional teaching experiences include pre-school through graduate school. She will begin her tenth year teaching inner city general music, K-5, in Trenton NJ. She conducts a string program supported by a VH-1 grant, and performs frequently with her 25 student glockenspiel ensemble.In addition to her teaching experience Ms. Maitland has been a clinician in various conferences and workshops which include the 2018 National Dalcroze Conference, the 2019 NJMEA State Conference, the music department in Trenton, NJ, the Montessori Annual Conferences, the ECMMA Eastern Division Conference, and guest lecturer at Rutgers University for the Nutritional Science Pre-School.After receiving her MME from Westminster Choir College, Princeton New Jersey, Ms. Maitland joined the Conservatory piano faculty at WCC for ten years.She maintains a private piano studio for all ages and coaches students for college entrance auditions.
Aya Yuasa is a piano instructor based in Sunnyside, Queens, NY. Aya holds faculty positions at Mannes School of Music and Lucy Moses School in addition to maintaining her private studio, and serves on the board of the New York chapter of the Dalcroze Society of America.

