Lesson Plan
Dalcroze Activities for Older Adults
Author
Published Fall 2026 | Added November 10, 2026
A sequence of adaptable Dalcroze-inspired activities for older adults, combining movement, rhythm, listening, memory, singing, and dance to support musical engagement and group participation.
I have a basic outline for lesson plans for groups of older adults. However, this outline is adapted according to the needs and possibilities of each group and venue.
Activities for Every Lesson
Activity 1: Introduction and warm-up, seated
- Conscious, slow, regular breathing with eyes closed
- Series of movements in groups of 2, 3, and 4 beats, touching or moving body parts on each beat (head, chest, wrists, legs, etc.)
- The practitioner demonstrates each sequence of movements first.
- The practitioner improvises music in specified meters at the piano while the participants move.
- One of the participants becomes the leader and proposes a sequence of movements and the group imitates.
- The tempo can vary according to the capabilities of the group.
Activity 2: Walking and clapping
This activity has many possibilities and combinations, which may or may not increase in level of difficulty. The following are a few examples.
- The participants start walking freely, exploring the space
- After observing an approximate common tempo, the practitioner improvises music at the piano at that pace while participants continue walking with the music.
- The participants stop when the music stops and resume walking when the music starts again.
- The music combines different types of articulation and dynamics and the participants adapt their walk to it
- staccato = tiptoe
- legato = regular walking
- fortissimo = stomping
- The participants respond to the beat of the music
- Clap with high sounds, walk with low sounds, and stop on rests.
- The response is inverted: clap with low sounds and walk with high sounds
Activity 3: Ear Discrimination and Immediate Memory (Seated)
Similar to activity 2, this one has many possibilities and combinations which may or may not increase in level of difficulty.
- The practitioner plays at the piano or sings a one or two-measure rhythmic pattern, and the participants imitate the rhythm
- With sticks
- With vocal sounds
- With body movements
- The group forms teams of three people, numbered 1, 2, and 3.
- The practitioner signals which number responds and imitates the pattern (the team members must remember which number they are and respond, imitating the rhythm whenever they hear their number called; the others remain silent, waiting for their turn)
- The practitioner plays music using a repeated rhythmic pattern until the group learns it and is able to clap (and if possible, walk) to it.
- When the rhythmic pattern changes, the participants freeze and only start moving when they hear it again.
Activities that Alternate Every One or Two Sessions
Activity 1: Pass a ball or scarf (seated)
- Pass the object on every beat, every measure, every phrase, etc.
- At “hop,” the direction or tempo changes
Activity 2: Free movement improvisation (either standing or seated)
- With improvised or recorded music
- Individually, in pairs or small teams
Activity 3: Sing along (seated)
- Remembering a popular song or learning a new one
- Showing pulse and phrases with movements
Activity 4: Clapping games in pairs or small teams
- The practitioner creates a game that includes sound recognition with hand responses.
Activity 5: Group dancing
- The entire group makes a big circle or a few smaller circles
- With a folk song or an already learned song, the practitioner proposes a series of movements to do the dance
- Walking sideways
- Walking forward and backward
- Turning around
- Dancing in pairs
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Author
Elda Nelly Treviño
Dr. Treviño is a pianist and Dalcroze Eurhythmics (DE) practitioner and researcher. She is also a professor and coordinator of Programas Dalcroze at the Universidad Panamericana in México City. Alongside she is a professor at the Facultad de Música of the Universidad Autónoma de Nuevo León (UANL) in Monterrey, and director of her independent studio “Música Viva”. As an active promoter of DE throughout Latinamerica, Elda Nelly frequently serves as guest lecturer, and clinician in DE and piano pedagogy. Up to the present, she serves as a member of the publications committee of the Dalcroze Society of America in the US, a member of the scientific committee of ICDS, and as a representative of the FIER in México. In addition, she is active as a collaborative pianist. Dr. Treviño holds a PhD in psychology from the Universidad Autónoma de Nuevo León, a doctorate in harmony from Universidad Tito Puente, bachelor and master of music in piano pedagogy from the University of Texas at Austin, Dalcroze Certificate and License from Carnegie Mellon Univeristy.
Dalcroze Activities for Older Adults
Elda Nelly Treviño, Author
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Copyright © 2026 Elda Nelly Treviño. All rights reserved.
Catalog Information
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Resource ID
8841 -
Source
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Issue
Vol. 11 No. 1 -
ISBN / ISSN
ISSN 2769-8602 (Online)
ISSN 2769-8564 (Print)
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Original Date
Fall 2026 -
Date Added
November 10, 2026 -
Date Printed
November 12, 2026
About
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Category
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Age
18 and up
Community & Access
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This is a free resource available to all.
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https://dalcrozeusa.org/resources/dalcroze-connections-vol-11-no-1/dalcroze-activities-for-older-adults/
About the Author(s)
Author
Elda Nelly Treviño
Dr. Treviño is a pianist and Dalcroze Eurhythmics (DE) practitioner and researcher. She is also a professor and coordinator of Programas Dalcroze at the Universidad Panamericana in México City. Alongside she is a professor at the Facultad de Música of the Universidad Autónoma de Nuevo León (UANL) in Monterrey, and director …
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I would like to know from our readers, whether they have done a different type of activity in a group of older adults and how it went. I would be happy to try new things!