Book
Rhythm, Music and Education
Author
Published 1921 | Added June 6, 2026
Rhythm, Music and Education is the foundational work of Émile Jaques-Dalcroze, presenting his vision that musical understanding is developed most deeply through purposeful movement, embodied rhythm, and active listening.
The book established the principles of Dalcroze eurhythmics and is one of the most frequently cited pieces of work in research and writing on the Dalcroze practice.
The edition linked here was translated from the original French by Harold F. Rubinstein.
Chapters
- The Place of Ear-Training in Musical Education (1898)
- An Essay in the Reform of Music Teaching in Schools (1905)
- “The Young Lady of the Conservatoire and the Piano” (1905)
- The Initiation Into Rhythm (1907)
- Music and the Child (1912)
- Rhythmic Movement, Solfège, and Improvisation (1914)
- Eurhythmics and Musical Composition (1915)
- Music, Joy, and the School (1915)
- Rhythm and Creative Imagination (1916)
- Rhythm and Gesture in Music Drama and Criticism (1910–1916)
- How to Revive Dancing (1912)
- Eurhythmics and Moving Plastic (1919)
- Music and the Dancer (1918)
- Rhythm, Time, and Temperament (1919)
Musical Supplement
Attachments
Submit Feedback on This Resource
Use this form to provide feedback (e.g. errors, omissions, typos) on this specific resource to Dalcroze USA staff.

Author
Émile Jaques-Dalcroze
Émile Jaques-Dalcroze was a Swiss composer, educator, and developed Dalcroze eurhythmics.
While teaching music at the Geneva Conservatory, he observed that his students lacked essential musical skills. They could not actually hear the music and harmonies they were writing. When they performed, their playing showed little sense of rhythmic life.
He began to devise ear training games to develop better inner hearing. These games honed the students’ perceptions and resulted in more sensitive music-making: timing, articulation, tone quality, and phrase shape. Dalcroze noticed his students would exhibit subtle, spontaneous movements—swaying, tapping a foot, a slight swinging of the arms—as they sang. The body was conscious of the life and movement of the music.
Jaques-Dalcroze began to explore these natural, instinctive gestures. He invited students to walk and swing their arms, or to conduct while they sang or listened to him improvise at the piano. He called this study of music through movement “eurhythmics,” from the Greek roots “eu” and “rythmos” meaning “good flow.”
Jaques-Dalcroze continued to experiment with eurhythmics, giving demonstrations of his “Rhythmic Gymnastics” throughout Switzerland and Western Europe. In 1911, he founded a school in Hellerau, Germany, where he refined his pedagogical methods and mounted innovative theatrical productions informed by these newly developed aesthetic principles.
These “festivals” drew audiences that included many of the leading thinkers of the day, including Rudolf von Laban, Darius Milhaud, Serge Rachmaninoff, Rainer Maria Rilke, and many others. By the time he left Germany in 1914, his work had created an international sensation.
In 1915, he founded the Institut Jaques-Dalcroze in Geneva, Switzerland where he continued to develop fresh applications of his approach until his death in 1950. The school continues to train new instructors who have, in turn, established training schools internationally.
Today, people from around the world study this remarkable method of music education and experience.
Rhythm, Music and Education
Émile Jaques-Dalcroze, Author
Catalog
-
Resource ID8194
-
LanguageEnglish (translated), French
-
Page(s)401
-
Original Date1921
-
Date AddedJune 6, 2026
About the Author(s)
Author
Émile Jaques-Dalcroze
Émile Jaques-Dalcroze was a Swiss composer, educator, and developed Dalcroze eurhythmics.
While teaching music at the Geneva Conservatory, he observed that his students lacked essential musical skills. They could not actually hear the music and harmonies they were writing. When they performed, their playing showed little…
Leave a Reply
You must be logged in to post a comment.