Dalcroze 101: Introduction to Eurhythmics
With Gregory Ristow, Dalcroze License
Recorded June 6, 2024
Discover how eurhythmics fosters a deep connection between music and movement, enhancing both teaching and learning. In this introductory session, we’ll explore the foundational Dalcroze concept of time, space, and energy—developing kinesthetic awareness and musical expression through purposeful movement.
Featured Videos
Beginning Solfège
With Lisa Parker (2012)
Duration: 1:01:31
Members Only Resource
Experience a Dalcroze education class from the 2012 National Conference.
Watch Video... Compound Meter and Duplets
With John R. Stevenson (2023)
Duration: 56:11
Members Only Resource
In this workshop, Jack Stevenson guides students through quick reactions, dissociations, and canons to explore the sensation of duplets.
Watch Video... Dalcroze 102: Changing Compound Meters
With Jeremy Dittus (2024)
Duration: 1:11:23
Members Only Resource
How can movement cultivate a more profound sense of musicality? This session examines how Dalcroze principles can enhance aesthetic education by deepening musicianship, refining intuition, and nurturing creativity. Experience firsthand how embodied strategies bring music to life.
Watch Video... Advanced Eurhythmics
With Jeremy Dittus (2010)
Duration: 57:18
Members Only Resource
Experience a Dalcroze education class from the 2010 National Conference.
Watch Video... Dalcroze 104: Dalcroze Solfège and Harmony
With Eiko Ishizuka (2024)
Duration: 1:00:29
Members Only Resource
Using embodied approaches to ear training, we’ll learn “Che Gusto” by Antonio Caldara, which employs the harmonic progression of descending 5ths. We remember beloved Dalcroze teacher Lisa Parker in this class, who adored this canon.
Watch Video... The Tempo of You
With Stephen Neely (2024)
Duration: 1:16:49
Members Only Resource
In this 75-minute collaboration, we will explore the idea of a personal inner tempo and then consider the challenge of “being music” that is at tempos more-than and less-than our authentic selves. How am I to feel the reality of another? With examples from Bach, La Bottine Souriante, and Satie, we will consider the difference between playing the notes of and being the music of another.
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