Plastique Animée: The Dalcrozian Analytical Technique

“The acquisition of all the plastic, dynamic, and agogic qualities indispensable to rhythmist or dancer, actor, or mime, will make him only an adapter, a transposer, an automaton, unless these technical qualities are controlled by a wealth of fancy, a supple, elastic temperament, a generous spontaneity of feeling, and an artistic, responsive nature. All plastique…

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Plastique Animée: The Importance of the Embodiment of Musical Expression and Communication

This essay considers the benefits of approaching musical expression and performance using the mindset and practices of a plastician, and how this can provide insight for instrumentalists, audiences, and music students. A personal account of the author’s first hand experience of performing Plastique Animée, it discusses the process and enlightenment from the point of view…

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