Group Activities in the Dalcroze Lesson

Perhaps the most enduring negative side effects of the recent pandemic were caused by the social isolation. Families were segregated during illnesses, schoolchildren were separated from their peers, and communities suffered permanent losses of their members. I found myself missing even the most basic, mundane tasks like grocery shopping, taking my children to local playgrounds,…

Read More

Lesson Plan: Dalcroze with Ages 3-6

Overview This is a lesson adaptable for ages 3 to 6, mid-semester. The subject is Phrase & Form. This lesson is centered around the song “The Birdies Fly Away” (adapted from Humperdinck’s “Hänsel und Gretel”). The musical goals include: The materials one needs for this class includes: Lesson Sequence Opening Circle 1. Trace rainbows in…

Read More

Dalcroze Education for Youth: Subcommittee Update

Current Work The Dalcroze Education for Youth Subcommittee is comprised of members of the DSA’s Professional Development Committee. We (Adriana Ausch, Jeremy Dittus, Leslie Upchurch, and myself) have been meeting to discuss and organize common goals for Dalcroze students in the 4-7 year old age range. While our meetings began a few years ago with…

Read More

Spatial Orientation and Awareness

For many years of my own eurhythmics practice, I focused mostly on trying to coordinate my arms and legs through ever more complicated rhythms. Only recently have I become entranced by one of the very things that makes movement possible—space. It seems obvious: How can you move if you are not aware of the space…

Read More

Incitation and Inhibition: A Means to Internalize

by Jeremy Dittus and Eiko Ishizuka The Dalcrozian strategy/technique of incitation and inhibition exists in virtually every reaction exercise we do in eurhythmics, solfège, and improvisation. Simply put, incitation describes the desire to do something while inhibition describes the feeling of suppressing or denying that desire. Because of their symbiotic nature, incitation and inhibition typically…

Read More

Introducing: “Dalcroze Education for Youth”

Designed for New Dalcroze Teachers Have you ever taught a Dalcroze class to children ages 4-6? Or perhaps you are working on the pedagogy requirements towards Dalcroze certification and plan to do your practice teaching with this age group? Maybe you are thinking of creating a new course for 4-6 year olds in the near…

Read More

Canons in the Dalcroze Classroom

When I was 8 or 9 years old, my mother had me listen to Franck’s Violin and Piano Sonata – she had just bought the LP and she thought I’d be interested in the 4th movement. We were the sort of family that was always singing rounds, but this was the first time I’d heard a…

Read More

Musical Explorations into Meter

Part of a series of posts on the ‘musical subjects‘ I am working with in my classrooms and thinking about as a musician and teacher. You can find more of my writing on music and teaching from a Dalcroze perspective on my blog at https://joviala.com.  I often turn to Walter Piston when I want some…

Read More

Using Recorded Music in a Dalcroze Class

Today’s Dalcroze teacher has easy access to a world of recorded sound that would have been unfathomable to M. Jaques. How do we take advantage of this rich resource and still retain the essence of eurhythmics? Louise Mathieu helps us sort through the issues in this reprint from the American Dalcroze Journal (Vol. 23, No.…

Read More

Dalcroze Pedagogy: Motivating Repetition and Improving Movement

(adapted from Dittus’s Embodying Music) In each lesson, Dalcroze students will need to engage in a fair amount of repetition until they achieve mastery or automatization of the required skill. This takes time and energy for the student and requires the instructor’s watchful eye to ensure that the students are sufficiently challenged and engaged. Furthermore,…

Read More