Incitation and Inhibition: A Means to Internalize

by Jeremy Dittus and Eiko Ishizuka The Dalcrozian strategy/technique of incitation and inhibition exists in virtually every reaction exercise we do in eurhythmics, solfège, and improvisation. Simply put, incitation describes the desire to do something while inhibition describes the feeling of suppressing or denying that desire. Because of their symbiotic nature, incitation and inhibition typically…

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Dalcroze Pedagogy: Motivating Repetition and Improving Movement

(adapted from Dittus’s Embodying Music) In each lesson, Dalcroze students will need to engage in a fair amount of repetition until they achieve mastery or automatization of the required skill. This takes time and energy for the student and requires the instructor’s watchful eye to ensure that the students are sufficiently challenged and engaged. Furthermore,…

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The 2020-2021 Professional Development Committee

Formed in 2012, the Dalcroze Society of America’s Professional Development Committee (PDC) has focused on developing written standards of excellence for the future Dalcrozians of the United States.  The T2 Manual (“Teacher Training” Manual) outlines the standards for the Dalcroze Professional Certificate and Dalcroze License.  These minimum standards outline what all DSA Accredited Dalcroze training…

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Lesson Study Guide: Oh, the Places You Will Go!

This demonstration class was done with students ages 11-13 from the Rhythmic-Solfège IV and Advanced Dalcroze I classes at the Dalcroze School of the Rockies, where they have studied for 7-9 years or more. One of the thing’s that’s remarkable about this method is that it can work in marvelous ways when you first say…

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