Meet 2020 DSA Guest Artist Adalberto Riva
The 2020 Conference is just around the corner and early registration is now open! Pianist Adalberto Maria Riva will present a special recital of works by Emile Jaques-Dalcroze during the conference. Adalberto Maria Riva had been studying at the Milan Conservatoire of Music and obtained his Virtuosité in 2001 in the class of Dag Achatz…
Read MoreMeet 2020 DSA Guest Presenter Silvia Del Bianco
The 2020 Conference is just around the corner and early registration is now open! Conference attendees will be in for a rare opportunity, when we welcome Silvia Del Bianco as our special guest presenter. Silvia Del Bianco was born in 1958 in Argentina. In 1975 she graduated in Piano pedagogy and interpretation at the Buenos…
Read MoreConference Registration Now Open
Conference Registration officially opens today! In just a few short months, we will meet in Miami, FL to celebrate the Dalcroze Education community and join together in workshops, presentations, and performances. Early Registration discounts are available through November 17. Current DSA members save even more! The conference theme “Dynamic Performance” explores the ways Dalcroze Education…
Read MoreCall for Proposals – Deadline Extended
With the many international Dalcroze events in July, we’ve extended the deadline by a month to give you additional time get your materials together. Or if you were on the fence about submitting a proposal, there’s still time! Deadline extended to September 1, 2019. The Dalcroze Society of America invites proposals to present workshops and…
Read More“Le Rythme 2019” Now Available
We are pleased to announce the 2019 issue of Le Rythme, the journal published by FIER that presents scientific perspectives, artistic research, and theory from the international Dalcroze Education community. Containing nearly 30 articles, abstracts, and papers, this issue is one of the most substantial to date. From the preface, Paul Hille, Fabian Bautz, and…
Read MoreOptions for Improvising
Herb Henke (1931-2015) inspired many of today’s Dalcroze educators. Here, he guides us in improvisation by suggesting simple but profound changes to a piece of music. After playing the piece as written, try the following versions: Add three flats (b-flat, e-flat, a-flat) to the key signature. The indicated b-naturals, however, should be retained. Create a…
Read MoreEchoes of Dalcroze Education in Experimental Dance and Performance
For Nicky Paraiso, Dalcroze Eurhythmics may have been one of the first ways he found his voice. Growing up in New York, his parents enrolled him in Dalcroze Eurhythmics classes. Paraiso would go on to become a musician, actor, dancer, and choreographer. Today, his primary role is of curator, and this month will present the…
Read MoreLesson Plan: Old Joe Has Gone Fishing
This lesson was presented at the 2012 DSA National Conference at Seattle Pacific University and teaches 7/4 with Benjamin Britten’s “Old Joe Has Gone Fishing” from his opera Peter Grimes. Benjamin Britten wrote this canon as a sort of faux sea chanty/drinking song. It is charming a capella; when heard in the opera with full…
Read More2019 DSA Memorial Scholarship Recipients
Congratulations to this year’s winners! In honor of beloved Dalcroze educators Fran Aronoff, Arthur Becknell, John Colman, Brunhilde Dorsch, Elsa Findlay, and Henrietta Rosenstrauch, these awards provide funding for study at an accredited teacher training program. This year, the DSA Board awarded a total of $2,762.10. 2019 Scholarship Recipients Elizabeth ChladilSteven CosneckLoretta HaskellMira LarsonGuy MendilowMolly…
Read MoreDeveloping as a Dalcroze Teacher
I first learned of the Dalcroze approach in graduate school, when a fellow singer remarked of my incredible teacher: “He went to a Dalcroze workshop, and came back as a new conductor.” I never forgot this, and I hoped that the approach might have something similar in store for me. I am now in the…
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